Write to Dr. Maria Pisarenko, or send your playing

Leave your email, phone and how you found us. I read every message and listen to every recording myself.

Press & recognition

What has been written about my playing

None of this is my own copy. Every quote below is from the publication named, and every link on this page was opened and read in a browser on 21 September 2026 before it was allowed to stay. Where a paper has taken its archive offline, the quote stands without a link, or points at the Internet Archive’s permanent capture — never at nothing. The letters below are scans of the originals: open any of them and read the whole page.

In the press

“Music is language, and language is music,” she said. “They reflect history, traditions, beliefs. It helps us open our minds to new ideas, new ways of looking at the world.”

Feature: Las Vegas musician began playing piano at 5 — in Siberia

Las Vegas Review-Journal · 2019
Read it →

“Masha Pisarenko began playing the piano at age 5 in a small town in Siberia.”

People in the Arts — the paper’s weekly profile of a working artist in the valley, by Kristen Peterson. Photograph by Sam Morris.

Las Vegas Sun · 2009
Read it →

“Siberian-born Pisarenko trained at the Russian Academy of Music and performed in Europe before moving to the States.”

Intimate, masterful and free

Las Vegas Sun · 2008
Read it →

Pianist Maria Pisarenko wins Reno Chamber Orchestra College Concerto Competition — the prize was to appear as featured soloist with the orchestra.

This Is Reno · 2010
Read it →

“Dr. Maria (Masha) Pisarenko is actively involved in the cultural life of Las Vegas as a performer, educator and artistic director … She has performed on some of the most prestigious stages of the world, including in Russia, Asia, Europe, and the United States.”

The county’s own announcement, Russian Seasons in Las Vegas. Clark County has since retired the page; this is the Internet Archive’s permanent capture of it.

Clark County, Nevada · 2019
Read the county’s archived page →

Russian Seasons to perform next month — a program of Russian chamber and vocal music she presented and played.

Las Vegas Review-Journal · 2019
Read it →

The Arizona orchestra’s own guest-artist page.

Prescott Pops Symphony
See the orchestra’s page →

“The Siberian-born artist has performed throughout Europe, and has won various competitions before coming to the United States. She has been a featured performer on Nevada Public Radio and a guest soloist with numerous orchestras.”

Salt Lake Tribune
Print archive — no live link

What conductors and university faculty have written about me

These are not quotes I typed out. Each one is a letter on the institution’s own letterhead, signed. Click any letter to read the whole thing. The only marks on them are gray rectangles where a private home address or a direct phone number used to be — mine and theirs. Nothing else has been touched.

Letter from Harold Weller, 2010, on official letterhead

“On February 14th Masha performed brilliantly, eliciting an instant standing ovation from the 1,200 in attendance and playing the Concerto as if it had been part of her repertory for many years.”

He invited her as guest soloist for Rachmaninov’s Second Piano Concerto — a work, he writes, “she had not yet studied or performed.” Earlier in the same letter: “an exceptionally gifted pianist” whose “ease, fluidity, and poetic interpretation” reminded him of Valentina Lisitsa.

Harold Weller · 2010
Founding Music Director & Conductor Laureate, The Las Vegas Philharmonic
Read the letter itself →

Letter from Dr. Christian Bohnenstengel, NCTM, 2012, on official letterhead

“One of our finest piano majors commented enthusiastically … and noted that this may have been the best recital he has ever attended. Another audience member perceived each note as having a life of its own and noted Ms. Pisarenko’s ability to make the notes ‘dance with each other.’”

After a recital and a masterclass with four piano majors: “The students appreciated Ms. Pisarenko’s musical insights, technical advice, as well as her patient and helpful demeanor.”

Dr. Christian Bohnenstengel, NCTM · 2012
Director of Keyboard Studies, Southern Utah University
Read the letter itself →

Letter from Dámaris Morales-Alvarez, 2017, on official letterhead

“Ms. Pisarenko is also in charge of teaching some of our music Piano Major students and for preparing them for recitals and juries. In this task she has always done a remarkable work. Her students demonstrate solid technic and musicianship.”

Written by the colleague who observed and evaluated her classes: “knowledgeable and diligent in the classroom … an excellent role model for our piano students.”

Dámaris Morales-Alvarez · 2017
Piano Program Coordinator, College of Southern Nevada
Read the letter itself →

Letter from Dr. Douglas R. Peterson, 2017, on official letterhead

“I have only the highest praise for pianist Masha Pisarenko … Her performances in both the Beethoven Choral Fantasia and the Mozart Concerto were accorded standing ovations!”

After four programs together over four years. He closes: “Now that she has her doctorate I predict Masha can also look forward to an outstanding career in the educational field.”

Dr. Douglas R. Peterson · 2017
Music Director, Southern Nevada Musical Arts Society
Read the letter itself →

Letter from Dr. Victor Hugo Alvarez, 2012, on official letterhead

“As a lead jury, you showed experience and sensitivity to each of the young pianist that were select to play for you; all our participants were very enthusiastic with the Master Class you offer and wanted more time with you.”

Written after she sat as lead juror at the twelfth CSN Piano Concerto Competition.

Dr. Victor Hugo Alvarez · 2012
Music Professor and founder of the CSN Piano Concerto Competition
Read the letter itself →

Letter from Dr. Christian Bohnenstengel, NCTM, 2013, on official letterhead

“One of my colleagues commented enthusiastically on the performance of the Toccata in E Minor by Bach, admiring Ms. Pisarenko’s ability to convey the complex polyphonic texture by giving each voice its own distinct color (e.g. bassoon, violin, etc.).”

Her second invitation to Southern Utah University in as many years, again for a recital and a masterclass.

Dr. Christian Bohnenstengel, NCTM · 2013
Director of Keyboard Studies, Southern Utah University
Read the letter itself →

Letter from Dr. Douglas R. Peterson, 2010, on official letterhead

“Masha’s piano skills are formidable and her interpretations sensitive. She was extremely well-prepared in all three programs … and I found her a pleasure to work with.”

The earlier of his two letters, written while she was still working toward the doctorate.

Dr. Douglas R. Peterson · 2010
Music Director, Southern Nevada Musical Arts Society
Read the letter itself →

Letter from Michael W. Bowers, Ph.D., 2010, on official letterhead

“Congratulations to you on becoming First Prize Winner of the Reno Chamber Orchestra Concerto Competition … It appears that you are on your way to a very prominent artistic career.”

From the provost’s office of her own university.

Michael W. Bowers, Ph.D. · 2010
Executive Vice President & Provost, University of Nevada, Las Vegas
Read the letter itself →

Awards and certificates

The documents themselves, not a list.

Letter of Appreciation from ABRSM — the Associated Board of the Royal Schools of Music, 2026

Letter of Appreciation · 2026

“This is to thank and acknowledge the teachers and applicants whose students have received a Distinction for a recent ABRSM exam and have performed at the ABRSM High Scorers’ Concert.”

For teachers whose students earned a Distinction in an ABRSM examination and played at the High Scorers’ Concert. Signed by the Chief Executive. Nevada, 1 May 2026.

Signed by Christopher Cobb, Chief Executive
ABRSM — the Associated Board of the Royal Schools of Music, London
See the document →

Letter of Appreciation from ABRSM — the Associated Board of the Royal Schools of Music, 2025

Letter of Appreciation · 2025

“This is to thank and acknowledge the teachers and applicants whose students have received a Distinction for a recent ABRSM exam and have performed at the ABRSM High Scorers’ Concert.”

The same recognition the year before. Two consecutive years of students taking a Distinction in the examinations of a London board that has graded players since 1889.

Signed by Christopher Cobb, Chief Executive
ABRSM — the Associated Board of the Royal Schools of Music, London
See the document →

Top Music Teacher from Steinway & Sons, 2018

Top Music Teacher · 2018

“Steinway & Sons is pleased to recognize Dr. Maria Pisarenko — 2018 Top Music Teacher.” Signed by the Chief Executive Officer of Steinway Musical Instruments.

Steinway & Sons
See the document →

Certificate of Appreciation from Southern Nevada Musical Arts Society, 2013

Certificate of Appreciation · 2013

Presented in the society’s fiftieth-anniversary year: “In recognition of your graciously sharing your musical artistry.”

Southern Nevada Musical Arts Society
See the document →

Questions? Want feedback on your playing?

Send a message or attach a recording. Email, phone and how you found us help me answer you properly.

Radio and television

Nevada Public Radio (88.9 KNPR)

Interview — November 2012, and again November 2009

Reno Public Radio (KUNR FM)

Interview — February 2010; Mozart’s Piano Concerto No. 21 with the Reno Chamber Orchestra, broadcast March 2010

Channel One Russia

National television — performance and interview at the First International Tchaikovsky Youth Competition

Radio of Russia, Irkutsk

Interviews — 2016 and 2004

Angarsk Radio

Interview

Vesti Irkutsk

Solo recital at the Irkutsk Philharmonic, and Grieg’s Piano Concerto with the Irkutsk Philharmonic Orchestra — broadcast, with interview

Watch me teach

Anyone can describe their own playing. These are recordings of me doing the work — masterclasses at three universities and a theory class, filmed by the schools themselves.

And hear me play

Concertos with orchestra, solo recitals and chamber music. These recordings live on my Las Vegas Piano School channel, where I first published them.

Prizes, awards and teaching

Competitions won

  • 2nd Prize — International Piano Competition in Memory of Sviatoslav Richter, Paris, 1997
  • 2nd Prize — Frédéric Chopin International Competition, Rome, 1996
  • First International Tchaikovsky Youth Competition, Moscow, 1992 — aged twelve
  • New Names Charitable Foundation, Moscow, 1992
  • Winner — Reno Chamber Orchestra Concerto Competition, 2010
  • Winner — UNLV Concerto Competition, 2012
  • Grand Prix — Irkutsk Regional Piano Competition, 1990; Governor of the Irkutsk Region Award, 1990

Invited to judge

Sitting on a jury is the profession’s own test of a teacher: you are asked because other teachers trust your ear.

  • Northern Nevada Music Teachers Association Reno Piano Festival, 2019
  • Irkutsk Regional Piano Competition — 2010, 2012, 2016
  • College of Southern Nevada Piano Concerto Competition, 2012
  • National Federation of Music Clubs, 2009
  • Silver State Competition, 2007

Masterclasses given

  • Southern Utah University — 2012, 2013
  • Dixie State University, Utah — 2013
  • College of Southern Nevada — 2012
  • Irkutsk College of Music — 2014, 2015, 2016
  • Angarsk School of Music — 1997–2017
  • Moscow schools of music — 1995–2005

Stages played

The Royal Academy of Music, London · the University of Oxford · the Paris Conservatory · the Santa Cecilia Conservatory, Rome · the Benedetto Marcello Conservatory, Venice · the Moscow State Conservatory · The Smith Center, Las Vegas · the Irkutsk, Krasnoyarsk, Novosibirsk, Kharkov and Zaporozhye philharmonics · Bangkok · Pamukkale, Turkey.

Also on file

Southern Utah University, on a letter in my file: “With a career that began with international acclaim at a young age and has continued to be successful … a mature, highly experienced performing artist, [she] is an individual that can render the sincere emotion and deep feelings of the composers.”

Teaching and recognition

  • University faculty — College of Southern Nevada and Southern Utah University
  • D.M.A. in Piano Performance, University of Nevada Las Vegas — and a second doctorate, a Ph.D. in Linguistics and English-language teaching, whose dissertation was on how children who learn differently are taught. I do not teach in my first language by accident; I studied how to do it.
  • My own students have placed in the Silver State and Legacy competitions, 2016–2019
  • My students have taken Distinctions in ABRSM examinations and played at the ABRSM High Scorers’ Concert in 2025 and again in 2026 — the letters are above
  • I prepare students for ABRSM (levels 1–8 and the ARSM, LRSM and FRSM diplomas), Trinity College London, the Royal Conservatory of Music, London College of Music and the AMEB, and for conservatory entrance examinations

The full account of my training — the Central Music School of the Moscow Conservatory, the Gnessin Academy, the doctorate, and the teaching line that runs back to Liszt — is on the about page.

Now let me teach you

The same training, from your very first note

Forty-one video lessons, in order, free. No sign-up, no catch.

▶ Start the free course

Piano lessons by age

Every decade brings its own music and its own obstacles. Find the plan for yours:

Learn piano in your 20s · Learn piano in your 30s · Learn piano in your 40s · Learn piano in your 50s · Learn piano in your 60s · Learn piano in your 70s and beyond

Write to Dr. Maria Pisarenko, or send your playing

Online Piano University is run by one teacher. I read every message and listen to every recording myself.

Contact

maria@onlinepianouniversity.com

Full contact page
Feedback on your playing
Free 41-lesson course
Piano lessons by age

Free Starter Guide

✓ Thank you — check your inbox!

Follow along

YouTube · Instagram · Facebook · TikTok · Pinterest